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On a regular day, the first-floor corridor of Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), adjacent to the “Himalayan art section”, is busy with visitors passing through to the Premchand Roychand Gallery or taking a break next to the museum’s arching windows.
Challenges include prepping the utility space of the corridor to hold delicate prints that are two to three centuries old, says designer-architect Sourabh Sharma, who is heading the renovation work.
They document early architecture, communities and history of the cities.
All the works will be exhibited on rotation.” Eventually, Mukherjee plans to open the space for other interesting prints and drawings collections.
“For instance, the windows that were thrown open earlier to allow natural light to flow in had to be blocked partially to avoid damaging the works due to exposure to the sun,” he says.
Other challenges include ensuring good ventilation.
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The rich collection contains prints of colonial cities of Bombay, Delhi, Calcutta and Madras.
Rohatgi says, “The collection has prints that are 200 years old.
The gallery, he says, will provide visitors a chance to learn about the art of printmaking – a technique that was used for documentation by artists before painting and photography became popular.